I found most of my #WeeklyBeats tracks pretty okay, but this week's submission I really like. And it's not even finished yet. Can't wait for folks to listen to it.
(Note that this is from 15 year old clip originally from XLR8R TV covering a street performance by The Glitch Mob, not from Superbooth. It's famously been sampled by Skrillex in "Rock 'n' Roll (Will Take You to the Mountain)" in 2010.)
I've got a couple of good mics now after years of working hard to save the money. I've a modern pair of c414s (sadly Hungarian, not the Austrian ones). I've an Austrian Audio 818. A pair of 040 micro SDCs. Drum sets, Shure 57s etc etc..
...there is a church down the road from me (and probably many others near me) that always sounded cool. Even as an atheist its tempting to email them and ask about hiring it as a recording space, or ask if they have a choir.
Cherry Audio does it again, out with yet another classic recreation.
"In 1979, the pioneers at ARP Instruments began researching and developing one of the most ambitious synthesizer designs of that time [...] a 16-voice polyphonic marvel, controlled by a microprocessor, with aftertouch and advanced signal routing and modulation."
DMG Equilibrium I use every day, Klanghelm’s MJUC is great and I've been using it for years, Newfangled Audio Elevate sounds really good in the time I've spent with it and I'd probably use it if I wasn't so into DMG Limitless.
I hate how everything is a subscription nowadays, but it kind of works with music production plugins and virtual instruments?
"NI 360 is a tiered subscription platform with three pricing options, Essentials ($15/month), Plus ($25/month) and Pro ($50/month). Each tier offers a different selection of products, ..."
In February 1995, The WaPo described #Albini as a “post-punk barbarian.” By Sept 2023, The Post called him an “era-defining alt-rock producer.”
He was prolific, telling the Free Press Houston in 2018 that he had worked on a “couple thousand” records.
One of those was in the late 1990s w/ #RobertPlant & #JimmyPage, to create their first release of new material since #LedZeppelin broke up in 1980.
He began the article with an image: “I imagine a trench, about four feet wide & five feet deep, maybe sixty yards long, filled with runny, decaying [excrement]. I imagine these people, some of them good friends, some of them barely acquaintances, at one end of this trench. I also imagine a faceless industry lackey at the other end, holding a fountain pen & a contract waiting to be signed.”