That being said: There is so much more information available at a glance. You can just click on things instead of menu-diving. You have a lot more CPU and RAM available. The effects sound 10× better.
Also, while the #SynthstromDeluge gets confused when changing the length of a currently playing clip about half of the time, in #AbletonLive in about 95 % of the cases it just works, flawlessly, even when changing the beginning, or dragging the loop away from the playhead.
I'm having a ball with some music software called RipX DAW (proprietary, Win/Mac only, sorry). It does an amazing job of separating the different instruments from a recording, and it can translate any of those parts into MIDI. The possibilities are immense!
In addition to Mirlo, I intend to get my music up on Faircamp, Funkwhale, Jam Co-op, etc.
But it took more time than I expected to get established on Mirlo, so when I went to the Faircamp site and saw a completely different setup that looks even more complicated, my brain was like NOPE. DRUGS ALL GONE. NOT ENOUGH BRAINS LEFT FOR TASK. :AAAAAA:
I have put together a set of instructions for configuring/tuning Fedora Workstation for low latency audio work. The instructions are not original—everything comes from other sources smarter than me. But to my knowledge, it is the most complete set of instructions for Fedora Workstation users available today. If anyone is interested, the instructions can be found here:
So my trust old Livid Instruments CTRL-R is starting to get very buggy, last night's gig was a pain! A friend has lend me a BRC2000 which hopefully does the trick. Is anyone here using one with Ableton?
Behringer makes shitty stuff. https://www.youtube.com/watch?v=j2C7B3dnyt4
Just spend an extra £150 if you want a cheap version of the 1073 and get the Warm Audio one ffs. The AMS Neve one is 1500.