edsantos, to Futurology
@edsantos@ciberlandia.pt avatar

The EU's common market is based on four freedoms: free movement of goods, services, labour and capital. We're still lacking the free movement of knowledge.

The next mandate should bring some news on the “Fifth Freedom”.

In this regard, this webinar by Knowledge Rights 21:

«Scientific Innovation and Growth—What should the EU do in its 2024-29 mandate to support research?»

https://www.knowledgerights21.org/news-story/24-june-webinar-scientific-innovation-and-growth-what-should-the-eu-do-in-its-2024-29-mandate-to-support-research/

AskPippa, to random
@AskPippa@c.im avatar

A case of a researcher's thesis being plagiarized in a journal article. She needs a good lawyer. If you wrote it and someone else uses it, it's . You're still the creative author.
IMHO the fact the people who wrote the journal article just copied big chunks of her work show lazy work.
Sounds like the universities and the journal aren't taking this seriously enough.
https://retractionwatch.com/2024/06/03/a-disturbing-experience-postdoc-fights-to-have-work-that-plagiarized-her-thesis-retracted/

AskPippa, (edited )
@AskPippa@c.im avatar

@SRDas Yeah, that really made me cringe. It doesn't even take that much to count as plagiarism. If I have a work in progress, and someone uses any of it without my permission that's still plagiarism.
I really feel for her. She shouldn't be going through this. She really needs to get a /intellectual property involved.

SADLady, to random
@SADLady@mastodon.social avatar

Just stumbled across this...

The Defendant's counsel pointing out the current case "is a refiled case" and they "dismissed the [original] case and refiled it as the current case as soon as that [original] case was assigned to Judge Seeger".

Brilliant stuff - and this one keeps pointing out the errors.

https://www.courtlistener.com/docket/68430197/44/xyz-corporation-v-the-individuals-corporations-limited-liability/

CultureDesk, to music
@CultureDesk@flipboard.social avatar

If you have a Samsung washing machine, you'll probably be familiar with its self-satisfied "I'm finished" chime — the 40-second jingle that plays when your wash cycle is complete. It's a version of Schubert's "Die Forelle," which was composed in 1817. Now, it's sparked an absurd copyright abuse flag on YouTube, with a Twitch streamer claiming his play-through of Fallout was demonetized because his washing machine finished while he was streaming. Seemingly YouTube's automatic scan had detected the washing machine chime as a song called "Done," which was uploaded to YouTube by a musician known as Audego nine years ago. Albino suggested that YouTube had potentially allowed Audego to make invalid copyright claims for years. Here's more from @arstechnica

https://flip.it/Ex3rOm

glynmoody, to random
@glynmoody@mastodon.social avatar

Daily newspaper drops , moves to reader , generates 37% more revenue - https://walledculture.org/daily-newspaper-drops-paywall-moves-to-reader-patronage-generates-37-more-revenue/ what's not to like?

drrimmer, to music
@drrimmer@aus.social avatar

Cher wins royalties lawsuit against Sonny Bono’s widow
Mary Bono had argued that she no longer needed to pay royalties to Cher after invoking a feature of US copyright law, but a judge has ruled otherwise https://www.theguardian.com/culture/article/2024/may/30/cher-wins-royalties-lawsuit-against-sonny-bonos-widow

remixtures, to ip Portuguese
@remixtures@tldr.nettime.org avatar

#Copyright #IP #CircularEconomy #Upcycling #Environment #Sustainability #HumanRights: "As the environmental crisis escalates due to overproduction and overconsumption, there is an increasing recognition of the urgent need for environmental consciousness and a shift towards a sustainable, circular economy (see, in the intellectual property context, Pihlajarinne & Ballardini (2020), Senftleben (2023), Calboli (2024)). Upcycling, notably, which involves reworking old items or their parts into new ones, has emerged as a tangible effort to address the negative impacts of this crisis. However, copyright protection may unexpectedly clash with this sustainable practice, as certain upcycled items could include copyrighted prints, ornaments, or design patterns from the original materials, such as new clothing items made out of old bed sheets, curtains, or tablecloths, or jewellery made from broken porcelain."
https://copyrightblog.kluweriplaw.com/2024/05/30/copyright-upcycling-and-the-human-right-to-environmental-protection/

stefan, to SideProject
@stefan@stefanbohacek.online avatar

So I'm working on a new project, nothing too big, but I need to use some copyrighted images. The copyright owner's Terms of Service suggest this should be okay, but it's probably best to make sure.

The contact email address has "nice lawyers" in it, so hopefully this is a good sign 🤞

remixtures, to ai Portuguese
@remixtures@tldr.nettime.org avatar

Surprise, surprise: News publishers only care about Money!!

#AI #GenerativeAI #AITraining #OpenAI #Copyright: "Publishers are deep in negotiations with tech firms such as OpenAI to sell their journalism as training for the companies’ models. It turns out that accurate, well-written news is one of the most valuable sources for these models, which have been hoovering up humans’ intellectual output without permission. These AI platforms need timely news and facts to get consumers to trust them. And now, facing the threat of lawsuits, they are pursuing business deals to absolve them of the theft. These deals amount to settling without litigation. The publishers willing to roll over this way aren’t just failing to defend their own intellectual property—they are also trading their own hard-earned credibility for a little cash from the companies that are simultaneously undervaluing them and building products quite clearly intended to replace them."

https://www.theatlantic.com/technology/archive/2024/05/fatal-flaw-publishers-making-openai-deals/678477/

FiveSeventeen, to Life
@FiveSeventeen@bahn.social avatar

Good news from the German antifa and related organizations scene: copyright protection.

A small group based in Germany has begun buying the Trade Mark rights to certain words and phrases - mainly abbreviations of words associated with extreme right wing groups and movements often aligned with the ideals of the original Nazis - so have them removed from the marketplace.

Companies producing these slogans will now be forced to remove them from their catalogs, from the stores and from sale, or face legal fines.

Article in German: https://www.tagesschau.de/inland/laut-gegen-nazis-enness-markenrechte-100.html

william_shotts, to photography
@william_shotts@mstdn.social avatar

Photographer sues woman over photo of apartment because of the wallpaper.

Complete abuse of copyright.

https://petapixel.com/2024/05/22/photographer-sues-grandma-over-wallpaper-photo-copyright-infringement/

glynmoody, to Canada
@glynmoody@mastodon.social avatar

New research shows that the 2023 Canadian link tax has already failed – just like all the others - https://walledculture.org/new-research-shows-that-the-2023-canadian-link-tax-has-already-failed-just-like-all-the-others/ when will they lean?

drrimmer, to music
@drrimmer@aus.social avatar

'In 2020, Tom Lehrer put out a statement saying that he had placed everything he ever wrote in the public domain. His lyrics and sheet music are now available for anyone to use or perform without paying royalties. The statement ended: “Don’t send me any money.” This is unheard-of. Famous performers usually maximise their royalties income.' https://www.theguardian.com/music/article/2024/may/22/my-songs-spread-like-herpes-why-did-satirical-genius-tom-lehrer-swap-worldwide-fame-for-obscurity

remixtures, to ai Portuguese
@remixtures@tldr.nettime.org avatar

: "Generative artificial intelligence (AI) has the potential to augment and democratize creativity. However, it is undermining the knowledge ecosystem that now sustains it. Generative AI may unfairly compete with creatives, displacing them in the market. Most AI firms are not compensating creative workers for composing the songs, drawing the images, and writing both the fiction and non-fiction books that their models need in order to function. AI thus threatens not only to undermine the livelihoods of authors, artists, and other creatives, but also to destabilize the very knowledge ecosystem it relies on.

Alarmed by these developments, many copyright owners have objected to the use of their works by AI providers. To recognize and empower their demands to stop non-consensual use of their works, we propose a streamlined opt-out mechanism that would require AI providers to remove objectors’ works from their databases once copyright infringement has been documented. Those who do not object still deserve compensation for the use of their work by AI providers. We thus also propose a levy on AI providers, to be distributed to the copyright owners whose work they use without a license. This scheme is designed to ensure creatives receive a fair share of the economic bounty arising out of their contributions to AI. Together these mechanisms of consent and compensation would result in a new grand bargain between copyright owners and AI firms, designed to ensure both thrive in the long-term."

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4826695

hennige, to Flowers
@hennige@mastodon.online avatar
design_law, to random
@design_law@mastodon.social avatar

Munro has appealed his latest copyright loss to the D.C. Circuit: https://www.courtlistener.com/docket/65379158/munro-v-united-states-copyright-office/?order_by=desc

The Copyright Office "concluded that the sculpture was insufficiently creative to be copyrightable." See: https://mastodon.social/

paninid, to ai
@paninid@mastodon.world avatar

It took 18 months for lawyers to agree on language for public distribution.

remixtures, to ai Portuguese
@remixtures@tldr.nettime.org avatar

#AI #GenerativeAI #Slack #AITraining #Copyright: "It all kicked off last night, when a note on Hacker News raised the issue of how Slack trains its AI services, by way of a straight link to its privacy principles — no additional comment was needed. That post kicked off a longer conversation — and what seemed like news to current Slack users — that Slack opts users in by default to its AI training, and that you need to email a specific address to opt out.

That Hacker News thread then spurred multiple conversations and questions on other platforms: There is a newish, generically named product called “Slack AI” that lets users search for answers and summarize conversation threads, among other things, but why is that not once mentioned by name on that privacy principles page in any way, even to make clear if the privacy policy applies to it? And why does Slack reference both “global models” and “AI models?”

Between people being confused about where Slack is applying its AI privacy principles, and people being surprised and annoyed at the idea of emailing to opt-out — at a company that makes a big deal of touting that “Your control your data” — Slack does not come off well."

https://techcrunch.com/2024/05/17/slack-under-attack-over-sneaky-ai-training-policy/?guccounter=1

drahardja, to random
@drahardja@sfba.social avatar

The injustice built into the YouTube “Content ID” system is blatantly obvious. But here’s a hilarious video by Elise Ecklund that shows you how awful it is for individual creators.

serves the corporations.

“all of my videos are getting copyright claimed (so here's what I did)”

https://www.youtube.com/watch?v=BLJKpi8QX9o

kubikpixel, to gentoo
@kubikpixel@chaos.social avatar

Gentoo and NetBSD ban 'AI' code, but Debian doesn't – yet

The problem isn't just that LLM-bot generated code is bad – it's where it came from.

🐧 https://www.theregister.com/2024/05/18/distros_ai_code/


kubikpixel,
@kubikpixel@chaos.social avatar

🧵 …although I tend to favour OpenBSD and Linux for personal reasons, I find this decision OK. Certain open source projects lack clear, reasoned positions and decisions.

»NetBSD’s New Policy – No Place for AI-Created Code:
NetBSD bans AI-generated code to preserve clear copyright and meet licensing goals.«

🚩 https://linuxiac.com/netbsd-new-policy-prohibits-usage-of-ai-code/


SteveThompson, to art
@SteveThompson@mastodon.social avatar

"Photographer wins lawsuit against alleged painter who plagiarized her work"

https://boingboing.net/2024/05/17/photographer-wins-lawsuit-against-alleged-painter-who-plagiarized-her-work.html

"Two years ago, I wrote about Jeff Dieschburg, an artist in Luxembourg who took [w]ork by others, made trivial edits, and won awards with paintings of the results."

deuzeffe, to random French
@deuzeffe@oc.todon.fr avatar

À l'attention des chroniqueurs et chroniqueuses littéraires bénévoles - @Deidre, @ptl et al.
Je suis "poursuivie" par pour avoir illustré une chronique avec la couverture d'un livre publié chez Numériklire (poke @oliviersaraja), couverture reprenant une partie d'une image censément protégée.
Le billet mis à jour : https://www.deuzeffe.org/index.php?post/353/chalk-freddy-woets (avec le mail de menace reçu).
Le billet originel : https://web.archive.org/web/20231203034005/https://www.deuzeffe.org/index.php?post/353/chalk-freddy-woets
1/2

deuzeffe,
@deuzeffe@oc.todon.fr avatar

Pour l'instant, j'ai supprimé l'image violant prétendument le droit d'auteur. Mais la société me réclame de l'argent pour avoir soi-disant privé l'auteur originel de l'image reprise en partie pour la couverture de ses droits pendant 7 ans (oui, oui, 7 ans !). L'image en question : https://stock.adobe.com/images/through-the-computer/44626264
Espérant ne pas devoir faire appel à un avocat pour défaire ces -trolleurs (quoique, un action de clase au niveau européen aurait... de la classe 😉)
2/2

remixtures, to Bulgaria Portuguese
@remixtures@tldr.nettime.org avatar

: "This policy brief further develops the ideas expressed in our previous policy brief on this topic in light of the copyright provisions of the AI Act. Article 53(1c) of the AI Act requires providers of general-purpose AI models to implement policies to comply with EU copyright law, particularly, with the machine-readable opt-outs from the text and data mining (TDM) exception. This new Open Future policy brief explores what such a compliance policy might look like in practice. It provides an overview of the technical standards and services that are available to implement rights holders’ opt-outs in a way that is effective, scalable, and able to meet the needs of both rights holders and AI model developers.

The brief argues that to achieve this goal, four different aspects of machine-readable opt-outs require further attention: the identifiers for works, the vocabulary for opt-outs, the infrastructure used to communicate and respect opt-outs, and the effect of an opt-out once it has been recorded. For each of these four areas, there is a need to build consensus and converge on solutions that work for all stakeholders."

https://openfuture.eu/publication/considerations-for-implementing-rightholder-opt-outs-by-ai-model-developers/

remixtures, to Sony Portuguese
@remixtures@tldr.nettime.org avatar

Sony Music is the prototype of the company that uses artists as mere puppets for getting the only thing it really wants: free money extracted through IP rents. It's a parasite that doesn't contribute at all to the promotion of arts and science.

: "Sony Music is sending warning letters to more than 700 artificial intelligence developers and music streaming services globally in the latest salvo in the music industry’s battle against tech groups ripping off artists.

The Sony Music letter, which has been seen by the Financial Times, expressly prohibits AI developers from using its music — which includes artists such as Harry Styles, Adele and Beyoncé — and opts out of any text and data mining of any of its content for any purposes such as training, developing or commercialising any AI system.

Sony Music is sending the letter to companies developing AI systems including OpenAI, Microsoft, Google, Suno and Udio, according to those close to the group.

The world’s second-largest music group is also sending separate letters to streaming platforms, including Spotify and Apple, asking them to adopt “best practice” measures to protect artists and songwriters and their music from scraping, mining and training by AI developers without consent or compensation. It has asked them to update their terms of service, making it clear that mining and training on its content is not permitted.

Sony Music declined to comment further."

https://www.ft.com/content/c5b93b23-9f26-4e6b-9780-a5d3e5e7a409

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