I've used #Reverb to sell stuff off and on for a while and at the moment it seems to have a #scam problem at the moment, with offers being made for the price you've set an item at and a request to contact by email. I had one this morning and it seemed to be dealt with on Reverb's part quickly as I can't see it in my offers page but if you sell stuff there, be aware.
Right now fighting a Vendor and #Reverb.com for the refund of $3000 for a guitar that I purchased through their platform in the beginning of July that has never shipped, the vendor won't give me a ship date and is now ignoring my messages for a full refund. Reverb said "Looking into it" two days ago and then stopped communication.
Never fucking using Reverb again to buy or sell gear. I have been fucked over as both a seller and now a buyer on that platform.
Don't forget to stream Good Omens (Seasons 1 and 2), give them good ratings, keep sharing it across social media and support the WGA and SAG-AFTRA strikes to help make Season 3 happen! The writers and actors deserve a livable income and reasonable work hours/conditions, as well as the opportunity to make the high-quality art they want to share with the world 💚
To celebrate 500+ Kabbidges, here's the cover of "Song of Lament" from Elden Ring I promised. We are now halfway to my face reveal at 1,000 Kabbidges, thank you so much for all your support over the years! 🥬🦇💚
Husband got a cheap, used electric guitar, and some basic pedals. I used one on my electric cello, it sounded ok... I need a pitch shift pedal tho. I should get something simple.
#Turbopaco is a brand new algorithmic reverb. It's VST3.
"Turbo Paco is an old-style Algorithmic Reverb, based on some own and other classic algorithms.
This Effect is mostly about Allpass loop and Feedforward-Comb reverbs, with some few exceptions. There are some Choruses as a bonus.
The controls are pretty much self-explanatory except "Dyn Time" and "Op Range". When "Dyn Time" is positive the dynamics processor does ducking. When it's negative it does inverse ducking, which results in a kind of gate. "Op Range" is the level at which the hard clipper will clip the input signal. This is necessary for controlling the dynamic range of the fixed-point implementation.
The design philosophy is to have a limited set of controls and many algorithms. Now there aren't a lot, but more can be added."
23 sounds created from five rare wind instruments.
Lowpass, reverb, delay, chorus, LFO, envelope, and width controls.
Recorded at 44.1 kHz/24-bit.
Only requires 60MB of space.
Completely free.