Watched it for the umpteenth time last night. 42 years old and as long as you're not watching the original theatrical release, it's a near perfect film. A pure masterclass.
My friend suggested I picked the name brain grid game for my puzzle game. Entering this text into AI art generators yields some haunting images. A crossover of scifi dystopia and demoscene. #demoscene#sciencefiction#horror#mentalhealth#movies#aiart
#WritersCoffeeClub Ch 9 Nbr 18 — Have you written sections where the action occurs against the clock? How did you do it?
My current story segment in serialization takes place over a very short time period, after the last third of the previous story taking place between dusk and dawn. The other story I am working on is a three act story, each act taking place over very few hours.
Writing stories in compressed time isn't much different than writing stories that take place more episodically over longer periods of time. In both cases, I write about what is important for the character and how they deal with events. An example may help.
In the serialization (obviously spoilers if you know which story I'm referring to), the MC realizes that though the leader has left on a military adventure to handle a "guerrilla insurgency," she sees evidence that same foe may attack the capital city. In theory, she's politically second in command. In practice, she has no real power. How she spends that day scheming and conniving with only a title to get a single frigate on patrol drives the story and the clock. It starts with a PTSD episode where she realizes she may be responsible again for innumerable deaths without the power to prevent them, then her working every contact she knows, butting heads with the generals who discount her experience running a crime syndicate (briefly), convincing a discriminated against officer who wants to accept discharge to instead command a museum-piece frigate, getting into a bloody fight with the XO, avoiding what the reader will see as assassination attempts, and it just gets worse with her love interests (plural!) pulling at her heart.
All in 12 hours. Tick-tock! That's one day of three days of escalating existential threats. The fourth day's events take place over one hour, which is about the time it would take to read.
W ramach wskrzeszania wymarłych gatunków, na wymarłego bloga wrzuciłem notkę o "Wścieku" Magdaleny Salik - (post) cyberpunkowym thrillerze climate fiction z wątkiem obyczajowym. Aczkolwiek w notce skupiam się tylko na wątkach klimatycznych.
"Magic Moon" - Der 14. Captain-Future-Roman gehört zu denjenigen Erzählungen, die bislang nicht ins Deutsche übersetzt worden sind - dafür aber wurde er als Animé-Episode verfilmt (Titel: "Die Rolle seines Lebens")...
The fourth chapter of Stardust: Labyrinth is out! After the minor setback in the third chapter, the group ventures deeper into the eponymous labyrinth, and the sheer scale of the complex becomes apparent...
Gift article from my Washington Post account: “…a lot of science fiction novels are exploring a scary post-climate-change future. Meanwhile, the best recent fantasy books have abandoned George R.R. Martin-style darkness, embracing a gentle sweetness instead. This month’s books provide some outstanding examples of each trend.”
Anthony Gaté dédicacera le tome 2 de Nelo avant sa sortie officielle (le 21 juin). Rendez-vous à la Maison de la presse des Herbiers le 14 juin de 16 heures à 19 heures !
Copies of Worlds of IF Science Fiction Magazine #177, the relaunch issue, spotted in Paris. Front cover art by Bob Eggleton, back cover art by Andrew Stewart. Check out that table of contents.
Feels so good to read it in prints!
With my sisters and brothers from the Science Fiction Economics Lab, we prototyped a method to develop economically consistent science fictional "imperfect utopias" that are within reach (maybe). The secret sauce is a group with good balance of economists, science fiction authors, and "doers" (activists, policy makers).