ameel, to Typography
@ameel@mastodon.social avatar

I haven't used Times New Roman since 2008. But, type nerd that I am, I still ended up doing a semi-deep dive into the typefaces I recommend you use instead.

Times New Roman alternatives https://www.insanityworks.org/randomtangent/2024/3/31/times-new-roman-alternatives

letterformarchive, to GraphicDesign
@letterformarchive@typo.social avatar

Join us Tuesday, April 2 for a free online lecture, Type Revival for Period Film & TV with Leah Spencer. She will offer a look into this unique intersection of traditional craft and contemporary tools. See her process as used in “The Marvelous Mrs. Maisel” to reproduce original mid-century type and lettering as digital fonts.

Register here: https://letterformarchive.org/shop/type-revival-for-period-film-tv/

#LetterformArchive #LeahSpencer #GraphicDesign #FilmAndTV #MidCenturyModern #typography #The_Marvelous_Mrs #MarvelousMrsMaisel

Grid of images of props, all featuring lettering or typography.
Still from a TV show. A woman in a dress looks down at a box.
Box from previous image. It’s a shoebox with a “Shapiro’s Footwear” logo on all sides in script and sans serif.

jenni, to Typography

Letterform is offering a free lecture over zoom on Tuesday, April 2nd 👀

Type Revival for Period Film & TV
with Leah Spencer

Leah Spencer reveals her process of replicating period-appropriate typography for productions like “The Marvelous Mrs. Maisel.”
https://letterformarchive.org/shop/type-revival-for-period-film-tv/

saila, to design
@saila@mastodon.social avatar

I am always learning something new about #typographic #design from @Richr — grateful for his continual passion and generosity

His latest on fluid #typography (and the demo of the Utopia tool) is well with the read is you do any #WebDesign or #CSS work involving words

https://clagnut.com/blog/2428

ronanmcd, to design
@ronanmcd@mastodon.green avatar

Dear clients, if everything is bold, nothing is bold.
#design #typography

airwhale, to music
@airwhale@mastodon.social avatar

"All good people, asleep tonight.
I'm all by myself, in your silver light."

kaia, to random
@kaia@brotka.st avatar
mp,

@kaia #Typography matters! ✊

​:breadpeek:​

Luke, to Typography
@Luke@typo.social avatar
skinnylatte, to Typography
@skinnylatte@hachyderm.io avatar

I have been in a typography class for 3 months. It's more intense than I thought it would be (I thought it was going to be 'how to pick typefaces' but it's 'how to design typefaces).

I stuck with it because I am interested in learning something I don't know anything about. Today I got my grade: C+.

My perfectionist self says, 'why C+?'

My kinder, compassionate self (who is thrilled that I got to do something I never thought I would), says, "yay! you designed a typeface!!"

#Typography #Life

rmfrt, to python
@rmfrt@mastodon.design avatar

Rendez-vous le jeudi 28 mars à 19h à L'atelier des Médias (Lyon) pour discuter de la manière dont le langage de programmation Python a radicalement changé mon processus de création !

Durant cette présentation intitulée “Python poétique, Python typographique”, je montrerai comment je combine poésie, typographie et programmation dans ma démarche artistique.

Gratuit sur inscription: https://www.meetup.com/fr-FR/python-afpy-lyon/events/298649744/

Un grand merci à l’@AFPy Lyon pour cette invitation.

#python #typography #poetry

video/mp4

Moosader, to Fonts
@Moosader@mastodon.gamedev.place avatar

I made a font. 😎
I named it "Inexperienced" because it's my first font and I just made it really quickly.

Any fonts I make are public domain.

https://gitlab.com/RachelWilShaSingh/rachels-free-fonts

#Fonts #Gamedev

iamdtms,
@iamdtms@mas.to avatar

@Moosader Check fonts.google.com
Typeface is only the type of the font face.
Monospace has fixed width types and so on, it's the #typography ruleset on each type.

elliotjaystocks, to Typography
@elliotjaystocks@mastodon.social avatar

#Typography Tip Tuesday! There are some basic terms for the anatomy of type that it can be useful to know, especially when analysing type during the typeface-choosing process, such as the shape of the serifs on typeface A versus typeface B. Here’s a very quick overview of type anatomy using Latin lowercase (more in the uppercase example, coming next week), set in Bricolage Grotesque — a free variable font by @mathieuloutre.

This tip is an excerpt from my book: https://elliotjaystocks.com/book

image/png
image/png

nekohayo, (edited ) to Fonts
@nekohayo@mastodon.social avatar

It is hard to compare sans-serif #fonts and declare a clear winner for on-screen readability, 2024 edition—feat. "Inter" (I heard some people raving about here recently, so that got me curious) vs "Cantarell" vs "Liberation Sans" vs "Droid Sans".

#Typography experts may be able to identify the 5th font hidden in there.
It is not Comic Sans MS.

Luke, to ascii
@Luke@typo.social avatar

First heard it at Newsvine from Mark Budos and @mikeindustries more than a decade ago:

“Character encoding is (the worst)” (paraphrased)

…and it’s certainly true.

When working with all the various formats of text, and html entities, and UTF-8, etc., etc.… it can be very hard to get it right all of the time.

ljegou, to Typography French
@ljegou@vis.social avatar
elliotjaystocks, to Typography
@elliotjaystocks@mastodon.social avatar

#Typography Tip Tuesday! Friend or… faux?

Sure, a faux italic never killed anyone, but it’ll make your client look like they don’t care, and is that a message they want to send?

Img 1: Note the true italic (right) is a radically different drawing to the faux, slanted version (left).

Img 2: The faux bold appears too soft and rounded, with letterforms clashing due to the inadequate spacing.

Img 3: The faux small caps appear too thin, as they’re shrunken versions of the regular uppercase forms.

image/png
image/png

b3nb3n, to photography
@b3nb3n@pixelfed.social avatar
Gaolaitch, to Typography
@Gaolaitch@cupoftea.social avatar

Idea. A ‘lower-case’ exclamation mark for when you need to evince just a modicum of excitement.
#typography #Innovations #ForWhichTheTimeHasCome

inspirationgrid, to art
@inspirationgrid@graphics.social avatar
Richr, to Typography
@Richr@mastodon.social avatar

✏️ Retrofitting fluid typography

As part of my forthcoming Patterns Day talk I decided to rebuild the newly redesigned Creative Boom article page using Utopian fluid typography to replace its multitude of breakpoints. This is the story of why and how.

https://clagnut.com/blog/2428

#typography #webdev #design #css

florin, to Typography
@florin@vis.social avatar

Whenever you visit Amsterdam and want to explore the city's , this by Arno Verweij will come in handy.

https://www.amsterdamtypography.nl/map

hyde, to linux
@hyde@lazybear.social avatar
blag, to calligraphy
@blag@typo.social avatar

Who's got some good RSS feeds for me to follow in the realms of sign painting, lettering, typography, calligraphy...

Please boost to cast the net wider.

juergen_hubert, to Typography German
@juergen_hubert@thefolklore.cafe avatar

#Typography question:

Which typeface would you recommend which

(a) was in common use in the 19th century (especially scientific magazines) and

(b) fulfills modern readability requirements (of which I know little)?

elliotjaystocks, to Typography
@elliotjaystocks@mastodon.social avatar

#Typography tip: You probably know common ligatures (top, left) and discretionary ligatures (top, middle), but did you know that type designers are free to make as many ligatures as they like, and out of whichever characters they like?

Changing, by PintassilgoPrints, has loads of ligatures, and using them makes our type appear more like lettering, because the standard letterforms are not repeated as frequently — compare the two versions of the “checking account” example.

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