And released within hours of each other comes Adam Neely on how hard it will be for #AI to pass a #Music Direction Test https://youtu.be/N8NyEjB_XeA
It is almost like these two coordinated their releases yet they never acknowledge each other's existence
Ich hab mir jetzt mal die #AI Music generation von #udio und #suno angeschaut, und "Überraschung": klingt gar nicht mal so gut. Und damit meine ich sowohl die Tonqualität als auch Musikalisch.
Die Musik selbst ist super Standard und weist wenig Kreativität auf, und vor allem spüre ich, dass die AI nicht wirklich Ahnung von dem hat, was sie tut - ständig plärrt irgendein Instrument oder ne Stimme an einer vollkommen unpassenden Stelle herein und das Metrum stimmt auch eher selten. 🧵 ->
@thomas Absolut D: Gerade letztens gelesen; die Utopie sagte, wir bauen AI und Bots um uns die Scheißarbeit abnehmen zu lassen, damit wir Kunst und Musik machen können. Was machen wir? Wir bauen AI um uns die Kunst und Musik zu machen, und machen selbst die Scheißjobs XD
#Copyright#AI#GenerativeAI#GeneratedMusic#Music#Udio: "It’s not my intention in this article to highlight examples of regurgitation of copyrighted material, with a view to suggesting this regurgitation constitutes copyright infringement. The question that is much more important than regurgitation, in my view, is what models like Udio’s are trained on.
There are many people, myself included, who think that training generative AI models on copyrighted work without permission at all constitutes copyright infringement, whether material from the training set is regurgitated in the output or not.
When likenesses to copyrighted music show up in the outputs of AI music generation systems, there are generally three possibilities: either it is chance (this is of course not impossible), or the systems were trained on copyrighted music with licenses to do so, or they were trained on copyrighted music without licenses in place.
If the models used in Udio’s product are trained on copyrighted work, it is possible they have licenses in place with rightsholders that permit them to train on the copyrighted work whose likenesses are found in these examples.
I've been playing around with it. Asked it for an SATB choir arrangement in G flat. It gave me two versions, both of which seldom drifted far from the tonic and did not understand harmonic resolution...