Die Minimaldatensatz-Empfehlung für Museen & Sammlungen v1.0 ist online! 🥳 Sie benennt die wichtigsten Datenfelder für die Online-Publikation von Objektinformationen & ist LIDO-kompatibel! Da steckt wirklich viel Arbeit und Hirnschmalz drin. Danke @ddbkultur für diesen wichtigen Meilenstein 🙏
▶️https://minimaldatensatz.de
Bon le #IIIF c'est cool mais va falloir vite dire que : avec filigrane c'est non, que sans lien perenne associé c'est non et que les super basses def c'est.... voilà quoi. Attention à la fausse innovation, mettre en place du IIIF pour un #GLAM c'est pensé des nouveaux services et usages pas cocher une case "modernité". #LeReouEtlePlume#archives@archivistodon
So #Trove has a new 'Content survey' form for you to fill out. The 'content' in this case is not what's in Trove, but what gets shared by Trove through social media.
Far be it from me to suggest that you might reply 'Examples of research tools and methods for working with Trove data' to the question about what you'd like to see shared through social media.
And yes, Trove's social media still steadfastly refuses to admit that the #GLAMWorkbench and all the associated Trove tools and resources actually exist...
I've written a little post about the National Library of Australia's collection of archived websites in Pandora and the new #GLAMWorkbench section that helps you to work with the data.
Want to find websites from Australian elections back to 1996? Just go to Pandora. Want all the urls in a spreadsheet? Just run my new notebook.
Required reading for historians, archivists, and librarians in and of Canada on the cuts suffered by Library and Archives Canada over the past 15-20 years. @histodons
Danielle Robichaud, "Contextualizing a Scandal: A Brief History of Library and Archives Canada"
At @letterformarchive I’m always wishing to share the many bits of object info our staff knows (or wonders about), but the public never gets to see.
Then comes @thisisaaronland of SFO Museum, who just posted a talk on using “tools in conjunction with ideas like an on-going curatorial file meant for public consumption, as a way demonstrate proof of life in our collections and to allow the public to engage with them on playing fields they recognize and understand.” https://aaronland.info/weblog/2024/04/26/matrix/#usf