#WordWeavers 2406.04 — Antagonist POV: Is it easy for you to apologize? Can you apologize to someone right now?
If I made a mistake or bumped into somebody? Of course. Many people recognize me, or take a look at me, and something between awe and stupidity sets in. I account for that. I've survived the fall of civilizations; I can be charming. What I won't apologize is for doing things I must do, whether it simply upsets you or ends up killing people you knew, and all the permutations in between. My role in this miserable life that never ends is ensuring humanity survives. Nobody apologizes to me for saddling me with that responsibility. You know what really ticks me off? Questions like this one. Sorry!
#WordWeavers 6/3
Who is your most creative character?
Definitely the minstrel, Shawmelle. She sings, plays a lute and writes her own songs. Her father was a minstrel, as well, and was the one who taught her to play.
She's also very lucky, in that one of the kingdom's squires takes a liking to her. 🙂
Fantasy need not be epic! My first fantasy is out now. The Tyrant of Spite is a light-hearted novella with coming of age and romance themes. Nothing epic or grim, I went for a very light touch with a little magic.
I designed the cover using a licensed image from Tithi Luadthong (@grandfailure on iStock) and Photoshop. This wonderful illustration inspired the story.
I am a Nebula Award finalist, and the Nebula conference is this week. My book, THE INN AT THE AMETHYST LANTERN, is nominated for the Andre Norton Nebula Award for younger fiction (young adult in this case). So what's the book about? I've got you covered: https://jendiagammon.com/2024/03/18/about-the-inn-at-the-amethyst-lantern/
In The Gathering Storm, Rand is given a new, unidentified sword. This sword is the same as the sword that Harriet gave to Brandon when he began writing The Wheel of Time, and represents his cameo in the series.
"Artists are people who are not at all interested in the facts—only in the truth. You get the facts from outside. The truth you get from inside." –Ursula K. Le Guin
Na empiku 'Sztandary imperium' w przedsprzedaży za 31.29. Jeszcze parę dni temu były za 39. U wydawcy.. za 35.
Ja serio nie rozumiem polityki cenowej wydawcy i księgarzy. To dość frustrujące, zachęcać ludzi do kupna za prawie cztery dychy, a parę dni potem się dowiadywać, że empik robi promkę. Nie bijcie, nie wiedziałem, że tak będzie.
#WordWeavers 4 Antagonist POV: is it easy for you to apologize?
The ghost of King Armand:
I am the best at apologizing. I am so incredibly humble, more humble than anyone else. But I am never really wrong on anything, so it doesn't come up too often. But when I do, I express sincerity like no other, and everyone accepts it instantly. I am an expert in managing my own ego. It never gets in the way. My ego is the best ego a person could have. It is very well crafted.
#WordWeavers 2406.03 — Who is your most creative character?
In the sense of one of my creations being uniquely different? I have one who character who interacts with the spirits of a few people and aliens who have died over the course of the two SF novels, but in the end it's difficult to decide whether the spirits were "real" or if the shaman is simply insane. In another set of novels, the main POV is able to rewrite reality (but not history) by application of will, but doesn't really understand the process or the implications. It takes a couple of books for her to fully understand she's being used, then she has to fix what she's been tricked into doing.
In the sense of the character being a creative? Being creative isn't often important in my stories, but my characters have things they do beyond what is necessary for the stories. Almost all my characters cook, and at least one of them cooks for a party that proves pivotal to the story (the shaman above). Caramelo in Inklings is a "spirit" photographer. It's important for the story as the MC wants to get him a job because she finds his work amazing. His artistry allows me to add a visual component to how the magic flows in the story.
#PennedPossibilities 335 — Do you use metaphors in your writing? What are some examples?
Yes. But it took a question like this to think to quantify it: A lot less than I thought. Going through three different stories (recent works), I found that I rely on simple description and simile most of the time. After 10 minutes, I couldn't find anything suitably florid or particularly interesting to relate.
What I like is the unexpected creativity. Various characters are raised to be fighters. The men in the kingdom are solely applauded for their martial skills, so I like it when Lazarus writes poetry while commanding an army, Dionysus draws funny animals as he is competing in a tournament, and Sabre, who was raised to be an assassin, uses his shadow magic to illustrate bedtime stories for his daughter.
Banou is a gelatinous, shapeshifting girl, entrusted to WoeNylVal's matchmaking abilities. Until Banou is married, she will live in the matchmakers' mind-fortress.
To help her in her quest to marry into power, Banou asked to become the physical embodiment of beauty. Her arrogance and snobbery mitigate her good looks. #Art#Fantasy#NinePrincesses#OC
The devil-girl is at heart a control freak; she's just not mean or unpleasant about it. Depression results when she's stymied in finding how to control problematic situations from which she cannot escape, which usually ends up with her trying crazy and dangerous things to bully her way through.
But...
If it the situation puts people at risk and she can't do anything about it...
She did have a mental break one time, where she failed to harm herself.
Another time... well, her employer died, though it was because her employer became too stupid to live. She has enduring PTSD, and it's not because of her too young age. It's that she's was raised to be responsible and doesn't know how to let go.