amberage, to ShareYourMusic
@amberage@eldritch.cafe avatar

Any ragtime enjoyers here? I wrote some pieces in an attempt to learn ragtime and I'd love some feedback.

The first is simply titled "Testing Rag" because that's what I was doing.

#Ragtime #Composing #Music

danfairs, to music
@danfairs@mastodon.social avatar

The problem with composing a song mainly with sheet music is that you have to actually learn to play the bugger afterwards…

rcheesley, to music
@rcheesley@mastodon.online avatar

Nice to be able to get back to learning composition after a while travelling!

After several pieces working on composing for string orchestra I'm now into the giddy heights of wind quartet composition and modulating between keys ... Wish me luck! 🫣

Amimoregore, to random
@Amimoregore@mas.to avatar

Hey guess what, videos are finally being released from Chipspace's showcases for 2024 starting with
nmlstyl!
https://youtu.be/Yb-kN5iq9Fo
Bonus MCing from Sam Mulligan
(Special thanks to GeekBeat Radio for hosting!)

(I'll be threading these as they're released)

Amimoregore,
@Amimoregore@mas.to avatar

Chipspace also does demonstrations! Isabelle Chiming has an updated video on her channel but here's the original video, "Beyond 1-1: How to Make Better Chiptune" with practical demonstrations to improve your tracks!
https://www.youtube.com/watch?v=CprnRVlV6V0

ology, to home
@ology@musician.social avatar

Show your music environment. I'll go first...

mcmullin,
@mcmullin@musicians.today avatar

@ology
My tech setup: 1967 Steinway console piano, 11x17 paper, Bic mechanical pencil.

indutny, to Metal
@indutny@fosstodon.org avatar
mattotcha, to ShareYourMusic
@mattotcha@mastodon.social avatar
thevglibrary, to VideoGames
@thevglibrary@mstdn.social avatar

Unique to this 3rd edition, "The Reel World" now takes you inside the world of creating music for #VideoGames 🎮🎶

Packed with composer interviews and insider tips, this is a great guide to get your start in the industry!

👉 https://www.thevideogamelibrary.org/book/the-reel-world-scoring-for-pictures-television-and-videogames-third-edition

#Composer #Music #VideoGame #Gaming #Gamer #SFX #Composing #Career #Book #Books #Bookstodon @bookstodon #Movies #TV #Nintendo #PlayStation #Sega #Xbox #Interview #MusicIndustry #SoundDesign #GameDev #GameDesign #Indie #IndieGame #IndieGameDev

gclef, to random
@gclef@mstdn.social avatar

bunch of comments making fun of the executive order on AI, but NO ONE LINKS TO IT. Gah. Here's the summary of it:

https://www.whitehouse.gov/briefing-room/statements-releases/2023/10/30/fact-sheet-president-biden-issues-executive-order-on-safe-secure-and-trustworthy-artificial-intelligence/

can't yet find the full text, but here's where they're putting the other stuff about AI:

https://ai.gov/actions/

kkarhan,
@kkarhan@mstdn.social avatar

@gclef Or to make a simple case:

Imagine you learned using amd thus looked at the included files like "Clocks" from Coldplay.

Do you now owe Coldplay's collecting angency/record label perpetual licensing fees for all your works since you learned using their copyrighted material?

Cuz that's what proponents of for would inevitably cause:

https://www.youtube.com/watch?v=S-3wEC6Fj_8&t=922s video by @tantacrul

Or am I wrong?
If so, how??
https://mstdn.social/@gclef/111324436533757941

muz4now, to ShareYourMusic
@muz4now@mastodon.world avatar
terjefjelde, to ShareYourMusic
@terjefjelde@mastodon.social avatar

Trying to write a highly derivative piece for cello. It's interesting playing by such established rules: On the one hand I'm sure I must have heard this progression before. On the other, the math works in favour of originality (well, "originality") for every note I add... unless I'm unconsciously copying an actual thing that I've heard (which is what it feels like!)

muz4now, to Banjo
@muz4now@mastodon.world avatar
matthewconroy, (edited ) to music
@matthewconroy@mathstodon.xyz avatar
matthewconroy, (edited ) to random
@matthewconroy@mathstodon.xyz avatar
krparadis, to classicalmusic
@krparadis@techhub.social avatar

So finally making an post.

I play the bassoon and compose and arrange music. I'm also probably the person that helps your parents with their tech, especially of the Apple kind.
My heritage is French Canadian with a little Polish thrown in for the crazy. I'm working on bettering my French again but understand more than I can say.

A few things that I love or find interesting:












matthewconroy, (edited ) to music
@matthewconroy@mathstodon.xyz avatar

Trying a new approach to using recursion for composing. Here, each sound event triggers up to two additional sound events, each a function of the triggering event.

https://soundcloud.com/matthew-m-conroy/new-recursion-1?si=7645fabc9bde4a75bf1e75223a9423f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

LWFlouisa, to ShareYourMusic

I guess Ill reintroduce myself: Hello, S.R. Weaver here.

Im am an Ruby developer, Author, Poet, and Composer. I tried doing game design with RPG Maker VX but could never finish a game.

Ive written seven novels, one poetry collection, and some poetry.

Ive recently gotten back into music , and aspire to play like Claude Debussy and Nobuo Uematsu.

Look forward to meeting people.

Private
mcmullin,
@mcmullin@musicians.today avatar

@composers

This is so different from the way we teach and , where almost all of the focus is on recognizing and naming various musical elements.

When , I’m sometimes very analytical, but often I prefer to avoid naming—to pay close attention to the connections I feel between things without trying to define what exactly they are.

2/x

media_dept, to gamedev
@media_dept@mastodon.social avatar

Today I feel determined to have a good game dev day but I'm not sure what this would look like? Should I code only to find I'm no good at it? Work on graphics at the wrong resolution? Record music in the wrong key? Maybe design a scene that I'll later realise is unnecessary? Perhaps spend all day on a bad animation. The endless possibilities...

mcmullin, to composers
@mcmullin@musicians.today avatar

For me at least, this question is more likely to shut down than get it flowing. Maybe worth considering before I commit to making something, but not helpful to think about once in the process.


@composers

https://botsin.space/@oblique_strategies/110370934847572720

runarcn, to music

Slowly falling in love with 19/16-meter. It's so amazing to listen to when dived in 3 like 5-5-9 and so challenging to write in.

If you wanna try it out and need some inspiration, take a listen to Sungazer's Threshold. Truly a masterpiece.

mcmullin, to composers
@mcmullin@musicians.today avatar

Last week @terjefjelde asked me about my techniques, use of , and thoughts about , and I promised to reply when I had more time. Here’s a too-long thread about this and other things that came to mind…

1/18

@composers @contemporarymusic

https://mastodon.social/@terjefjelde@mastodon.social/110220685067926603

mcmullin,
@mcmullin@musicians.today avatar

In terms of my #composing methods, I’m basically a dinosaur. I scribble sketches with pencil and paper, check them out on a piano, and I used to prepare scores and parts in careful calligraphy with a fountain pen. No tech involved except what’s been around for centuries.
2/18

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