When painting this abstract landscape painting, I had fun letting watercolor, ink and water flow and playing with the expressive color contrast between the bold red of the barn and the bright greens of the landscape.
This is No. 330 (subtitle: Farlight), a recent spiral-based abstract art from me with subtle details that will reveal themselves when viewed a little larger (click to view). You can find it here: https://jon-woodhams.pixels.com/featured/no-330-jon-woodhams.html
"The musica universalis (literally universal music), also called music of the spheres or harmony of the spheres, is a philosophical concept that regards proportions in the movements of celestial bodies--the Sun, Moon, and planets--as a form of music." (Wikipedia.) This idea inspired the title for this piece, available here: https://jon-woodhams.pixels.com/featured/music-of-the-spheres-jon-woodhams.html
New to my portfolio, this is No. 419, a minimalist stratified abstract landscape with rich turquoise and aqua blues, sunny butter yellows and earth-toned browns in three layers with hints of other hues peeking through. You can find it here: https://jon-woodhams.pixels.com/featured/no-419-jon-woodhams.html
No. 327 is very recent work from me that taps into my "spiral" phase--a space-inspired, whorl-based minimalist-ish work in warm tones of red, orange, and yellow with dramatic lighting. You can find it here: https://jon-woodhams.pixels.com/featured/no-327-jon-woodhams.html
This is No. 330 (subtitle: Farlight), brand-new spiral-based abstract art from me with subtle details that will reveal themselves when viewed a little larger (click to view). You can find it here: https://jon-woodhams.pixels.com/featured/no-330-jon-woodhams.html
𝘕𝘪𝘤𝘩𝘦 𝘗𝘢𝘳𝘵𝘪𝘵𝘪𝘰𝘯𝘪𝘯𝘨 is a generative art program that directs a robotic pen plotter to produce layered harmonic waveforms, each built from hundreds of oscillating paint strokes.
When the program is initialized, the properties of each waveform - frequency, amplitude, and phase shift - are randomly selected, resulting in a unique structure each time the program is run. These sixteen paintings are a representative sample of the program’s output and a physical manifestation of the algorithms that power it.