Enjoy the writing, make sure you actually listen to the ones that sound intriguing and, of course, support these artists with your follows, favs and, if you can afford it, your finances.
If you do like the writing and/or need more new music, you can find more on my site with the #OPM tag. If you really like the writing, you could always buy me a coffee:
#NowPlaying - a ground zero for so much, but why so many cowrites for kevin ayers & so few lead vocals? is it like the neil-young's-voice-was-too-weird-for-the-springfield thing or just cuz ayers was the new guy? and how many steps between "we did it again" & oneida's "sheets of easter"? @Corry342@vinylrecords#canterbury#prog
Right, so in a surprise inversion of my recent #Prog posts about double albums that should have been single albums, here’s one that’s long enough for a double but somehow managed to fit on a single CD.
I still don’t understand how this is even possible. I always thought there was a nominal maximum length of 74 minutes for CDs (because Mr Sony loved Beethoven), and a hard physical limit around 80 minutes. First I’ve seen to go well above that… 😲
Clocking in at just over four minutes, “Clairvoyant” is a tight little slice of metal-leaning progressive rock. A powerful, rolling bassline, some solid drumming and just a touch of swirling atmospherics anchor the track, but it’s the guitar work that really shines here.
“You pick five interesting guys, lock them in a room together… and if they make an album without actually killing each other first, it will at least be an interesting album”: How King Crimson made Larks’ Tongues in Aspic | Louder https://www.loudersound.com/features/king-crimson-larks-tongues-in-aspic