Hey #lawfedi, do you think someone can draw Steamboat Willie (1928) without drawing "Steamboat Silly" (2023) Steamboat Willie? Where does this #IP hypo land? SCOTUS?
You've heard the news about 'Steamboat Willie.' For ongoing news about the growing number of resources available to you in the public domain, check out Public Domain Review—a valuable news site with extensive listings and a free newsletter.
#Redes#Internet#IP#ProtocoloIP#IPProtocol: "Nesse artigo exploraremos o protocolo IP, vamos observar parte do contexto histórico e entender a sua importância, apresentar uma visão geral das funcionalidades e posteriormente nos aprofundar nos detalhes.
Vamos começar pelo início de tudo, durante o período da Guerra Fria, que ocorreu entre os Estados Unidos da América e a União das Repúblicas Socialistas Soviéticas, mas não vamos nos aprofundar no conflito, somente no que aconteceu a partir dele para o desenvolvimento das redes de computadores como conhecemos atualmente.
A ARPA (Advanced Research Projects Agency, em português, Agência de Pesquisas em Projetos Avançados), tinha a necessidade de transmitir dados sigilosos entre as suas bases militares e departamentos de pesquisa. A partir dessa necessidade houve o surgimento da ARPAnet (ARPA Network, em português, Rede da ARPA), uma rede de comunicação que também incluía universidades e algumas empresas privadas, formando um grupo de trabalho chamado de ARPANET Network Working Group."
#IP#Copyright#PD#PublicDomain: "Join Creative Commons, Internet Archive, and many other leaders from the open world to celebrate Public Domain Day 2024. The mouse that became Mickey will finally be free of his corporate captivity as the copyright term of the 1928 animated Disney film, Steamboat Willie, expires along with that of thousands of other cultural works on the first day of 2024.
The year 1928 brought us a host of still relevant, oft-revived and remixed culture, from H.P. Lovecraft’s classic horror story, “Call of Cthulhu” (originally published in Weird Tales; now currently a popular video game), to the Threepenny Opera, a critique of income inequality and the excesses of capitalism that is surprisingly on point for our current era."
Is there a chrome-book equivlent for easily managing a DNS block list, on device?
Yes, I can run something on my home netwok, but what I'm looking for is an easy, on-device solution, like installing a "local vpn" like #personalDNSFilter does on my phone, into which I can put my own block list, and easily add and remove entries.
Browser extensions not enough, want to intercept all IP.
One big difference, in the default papers it actually details the amount each defendants Statutory damages. It also seems to highlight that their previous 5 cases from 2022 hasn't apparently done anything to deter 1 named defendant.
As outlined in the lawsuit, the Times alleges OpenAI and Microsoft’s large language models (LLMs), which power ChatGPT and Copilot, “can generate output that recites Times content verbatim, closely summarizes it, and mimics its expressive style.” This “undermine[s] and damage[s]” the Times’ relationship with readers, the outlet alleges, while also depriving it of “subscription, licensing, advertising, and affiliate revenue.”"
I've been looking in to cases assigned to Judge Seeger following a few orders refusing TRO's. Of course all the cases I am interested in are Schedule A cases and there are patterns in these cases.
For now though, what a gem, I have just found. This judge is right up there with my current fav.
How many Schedule A cases..? Have those cases made any dent in the amount of counterfeiting? If the answer is no, what is the purpose of
another game of Whack−A−Mole?
Telegram divulgue votre adresse #IP à n'importe qui parmi vos contacts lors d'un appel et un chercheur a créé un outil pour exploiter facilement cette #faille. #Telegram indique qu'il s'agit d'un comportement attendu, donc il n'y a rien à corriger.
C'est pourquoi la meilleure #alternative WhatsApp que je puisse vous conseiller est #Signal
A must have, if you want to browse the web without ads, trackers, malware and more. There are other browsers you could use, but with #firefox, you can install add-ons to help you mitigate all the tracking and ads. You can even install desktop only add-ons now, and supporting a engine which is not #chromium (controlled by Google) like every other major browser.
There are multiple forks available on the F-droid if you don't want to use plain firefox. This works on desktop too, I recommend #LibreWolf.
My favorite way of blocking ads, you have control over which domain the app can connect. It works like a VPN, but it does not make any outgoing connection. The bad thing is, if you want to use an actual #VPN, you can't have both at the same time and you need to disable your custom DNS.
I recommend to enable in settings > advanced options > block system apps, and individual domains too. When you open the app for the first time, it asks you if you want to block essential request for the apps to work, I recommend to enable this if you don't want apps breaking.
You android vendor may be killing the app, for this reason is necessary to add the app in the list of apps not be optimized by the system. If this issue keeps happening follow the guide from dontkillmyapp.com (advanced)
A DNS works like a translator, computers are good with numbers, but we are not good at memorizing long numbers. Computers communicate with each other using the Internet Protocol (IP), which are pure numbers. For example, your instance #IP is 104.26.8.209 but is easier to us just type lemmy.world.
A DNS is like a table where it has a relationship between keys pointing lemmy.world to 104.26.8.209, so your computer knows where is the computer is trying to connect.
Let's imagine an app is trying to connect to "https://ads-from.company.com", if you are using a DNS which blocks known domain ads it will redirect that request to "0.0.0.0" which is like sending it to a black hole. There are multiple DNS available, which different purposes, for ads, malware, porn, gambling, etc.
Have in mind that these are not full bulletproof protections, one may work better than the other, and can break from time to time. With popular services with ads, like social media, you could use alternative front-ends to their official client or website.
Here is a list of alternative front-ends and an add-on to automatically redirect to them, you have to use it with a browser and you can add as a shortcut to the home screen, better if it works like a #PWAhttps://libredirect.github.io
#Disney#Mickey#Copyright#IP#PublicDomain: "On January 1, 2024, after almost a century of copyright protection, Mickey Mouse, or at least a version of Mickey Mouse, will enter the public domain. The first movies in which the iconic mouse appeared – Steamboat Willie and the silent version of Plane Crazy[1] – were made in 1928 and works from that year go into the public domain in the United States on New Year’s Day 2024.[2]
The public domain has had some famous recent arrivals, but this is the most anticipated entry yet. Why? It is not simply that Mickey is a famous copyrighted character. So are Sherlock Holmes and Winnie the Pooh, and while they entered the public domain with some fanfare, it paled in comparison to this event. I’d like to offer a tentative answer. The reason that this event gathers so much attention is that it is the story of a 95-year-old love triangle, a tangled drama that rivals any Disney movie for twists and turns. The protagonists are Mickey, Disney and the Public Domain, and their relationship positively exemplifies the social media weasel-words “it’s complicated.”" https://web.law.duke.edu/cspd/mickey/
Statement from Brewster Kahle, founder and digital librarian of the Internet Archive: We submitted our appeal to the court today to protect the core mission of libraries—preservation and access. This is a fight to keep library books available for those seeking truth in the digital age.
Libraries are not just repositories of books; they are guardians of history and the published record. In this time of wars, election angst, and unstable moments for democracy, this fight gains even more importance."
#AI#GenerativeAI#GeneratedImages#Copyright#IP: "CS: As artists: what do we want from AI? Are there concrete actual requirements for the AI community? Consent, credit and compensation I think is a major thing for me. I wish we could have nuanced conversations about Generative AI without it sounding alarmist, though I’m cognizant of the fact that I do think that this is going to impact aspects of the creative industry. I wouldn't be surprised if we see smaller and smaller fellowships, or a lot more confusion over the artistic and creative practice. Underpinning the global conversation are the misconceptions of how much creativity is worth and how long it takes to be creative, how long it takes to work on a piece of art. This capitalism hellhole we're in: every hour is subdivided into billable minutes, and with the rise of the gig economy, suddenly there’s an expectation that you’ll create a piece of really good work, that you are underpaid for, really quickly. You need a lot of time to be creative. You just need time to sit down and stare at a screen sometimes or look at something that has nothing to do with your work. That is part of the process. And I worry that this further flattens that, and puts us in a place where we're all urgent all the time."
#EU#AI#AIAct#Copyright#IP: "Overall, the copyright provisions in the AI Act are a step in the right direction. They further consolidate the existing balanced legislative approach adopted by the EU in the 2019 CDSM Directive. Section 1(c) provides additional clarity for both rights holders and AI model providers, but will only really help them if a generally accepted standard emerges in this area. With the AI Act on its way to becoming law, the development of such a standard must become the focus of policymakers and other stakeholders. In addition, the requirement to publish sufficiently detailed summaries of the content used for training in section 1(d) will make it easier for third parties to understand the sources of training data – including whether the lawful access criterion has been met."
Some cybercriminals with [presumably] spoofed IPv4's are trying to #pwnat my @pfSense - box whilst also hammering #telnet.
#ISP#TechSupport is either criminally incompetent or refuses to acknowledge the issue...
And this is why you should alyways block known #Military / #Intelligence networks, because even if they don't target you, cybercriminals will #BGP-hack or #spoof their #IP|s.
#AI#GenerativeAI#GeneratedImages#Copyright#IP: "In the amended complaint filed this week, the original defendants are joined by seven additional artists: Hawke Southworth, Grzegorz Rutkowski, Gregory Manchess, Gerald Brom, Jingna Zhang, Julia Kaye, Adam Ellis.
Rutkowski’s name may be familiar to some readers of VentureBeat and our colleagues at GamesBeat as he is an artist from Poland known for creating works for video games, roleplaying games, and card games including the titles Horizon Forbidden West, Dungeons & Dragons, and Magic: The Gathering.
As early as a year ago, Rutkowski was covered by news outlets for complaining that AI art apps based on the Stable Diffusion generation model were replicating his fantastical and epic style, sometimes by name, allowing users to generate new works resembling his for which he received zero compensation. He was also not asked ahead of time by these apps for permission to use his name.
Yesterday, Rutkwoski posted on his Instagram and X (formerly Twitter) accounts about the amended complaint, stating “It’s a freaking pleasure to be on one side with such great artists.”"
But the principle that "Pseudo-#IP Rules Shouldn't Block Free Speech" has the nice side effect of highlighting what's wrong with this otherwise unrelated effort:
YouTube can't stop showing me AI deepfake ads (www.spacebar.news)