I’ve been playing with #vvvv ‘s stride displacement, light shafts and materials. My glass material doesn’t handle local reflections, but other than that it’s looking pretty sweet!
“Embodied Ecologies” is a multi-year cooperation between the Interface Cultures Master’s programme (Linz University of Art), the Institute of Dance Arts (Anton Bruckner Private University) and Deep Space 8K (Ars Electronica Center).
I'm working on visual material for a record label for the first time since 2019, and it requires post-production effects and compositing work, so I decided to see if #natron would be capable so that I can do everything with #guix, and so far its been simply amazing, not what I expected at all. If you were ever a #pd, #maxmsp, #vvvv, or #touchdesigner programmer who also had to do post production effects work, you'll feel right at home. I'm yet to see how it will handle the workload once the video material is added, but right now just as a #vfx tool that focuses on a programming-oriented workflow while offering all the keyframing facilities of #aftereffects, its already a much preferable workflow than the latter.
I feel like the deeper reason that #Adobe has been so bullish on #AI is that already in 1999 Netochka Nezvanova had demonstrated that everything in time-based digital visual media could be reduced to a system of objects called NATO.0+55+3d, and everything after that is just understanding how those objects compose, so in order to stay relevant Adobe is creating products that figure out the composition for you, so that you never have to learn it and thus stay dependent on them indefinitely.