“After approaching the coelacanth to encourage it to move between two cameras positioned on a custom-made stand, the team turned on the lights. “At this depth, some think that there is no light,” says Ballesta. “There is [very] nice light. It’s tiny, it’s soft, but there is still light. So, it’s important to not use too much artificial light. It’s like driving in a car at night. If you put your lights on full, you see just in front of the car, and all the rest is dark. If you switch off your lights – and there is a little bit of moon – suddenly you see everything: the road, the mountains, the forest. It’s the same when you’re deep.””