J'ai vu des choses que vous, humains, ne pourriez croire... Des navigateurs de guerre en feu, surgissant du darkweb... J'ai regardé des bloqueurs de pub briller dans l'obscurité, près du Portail Neo Lycos... Tous ces moments se perdront dans le temps... comme... les like sur internet... Il est temps de reboot. #microfiction#writever#pastiche
"Bodegón" is a piece for two pianos, marimba, double bass, and drums. I initially wrote the drums part, which alternates 11/8 and 9/8 measures at 150bpm. Then I wrote a marimba part atop the drums. This resulted in a rather fast jazzy piece. At this point I realized that the piece had two "natures": when slowed down, the marimba notes sounded very much "Bachianas". I decided to explore and develop this aspect further: I assigned the marimba line to piano, added a new piano, and turned the piece into a neoclassical prelude. Then I added double bass, and used it as a layer that I overlapped to realize a fugato of sorts. Surprisingly, the experiment worked out.
I had now two very different developments of a same idea. I decided to merge them in a A-B-A' structure, with the last part only hinted and fading out, played by double bass and drums.
All the above resulted in my "Bodegón". I hope you'll like it!
(P.S. In Spanish it means "still-life". It comes from "Bodega": storeroom, storehouse, wine-shop, or even tavern.)
Der Bundesgerichtshof legt dem Europäischen Gerichtshof Fragen dazu vor, ob #Sampling unter die urheberrechtliche Erlaubnis für #Pastiche fällt. Damit geht der wohl älteste Rechtsstreit des #Urheberrecht, Metall auf Metall, in die nächste Runde. Die Fragen sind so komisch formuliert, dass es danach sicher weitere Instanzenzüge gibt, aber sie erlauben dem EuGH grundsätzliche Ausführungen zu Pastiche zu machen. https://www.bundesgerichtshof.de/SharedDocs/Pressemitteilungen/DE/2023/2023157.html