caravan, to jazz
@caravan@heads.social avatar
Cabshaka, to jazz

Jungian mindquest, venturing to the water, led by a figure known only as "The Outlaw". #jazznoisehere #jazz #nessa #freejazz #jazzvinyl #vinyl #freejazzvinyl @jazz

Cabshaka, to jazz

Playing out the weekend with Never Let Me Go by Stanley Turrentine and Shirley Scott (1963) #jazznoisehere #bluenote #jazz #jazzvinyl #souljazz #vinyl #vinylrecords @jazz

Cabshaka, to jazz

An experiment in esoteric . Jimmy Giuffre's Western Suite (1960) is clarinet, guitar and trombone. Sinuous, woody improvisatised harmonies, no rhythm instruments, and barely perceptible rhythm. @jazz

Cabshaka, to jazz

Shrimp Boats (1978) is a comp of two Lionel Pillay bands. Side 1 is a single track with Basil Coetzee on one track (despite top billing, he's only on side 1). Side 2 is an electric group, with the great Sipho Gumede on bass and a front line of Barney Rachabane and Duku Makasi. There's a version of South African jazz classic Yakahal 'Inkomo and a rare cover of Weather Report's Birdland! @jazz

Cabshaka, to jazz

Spinning Monoceros (1978) by Evan Parker. Solo soprano saxophone architectures. #jazznoisehere @jazz #jazz #jazzvinyl #freejazz #freejazzvinyl #efi

Cabshaka, to vinyl

Now listening to some classical music. South African jazz and township musical King Kong (London cast version, 1961) #jazznoisehere @jazz #vinyl #vinylrecords #nowspinning #musicals #jazz #jazzvinyl

Cabshaka, to jazz

For Alto (1971) was Anthony Braxton's debut. A double LP of solo alto saxophone, long before that was a thing. Tightly composed performances with particular attention to the playing. It's arguably still his best record. #jazznoisehere #aacm #jazz #freejazz #jazzvinyl #freejazzvinyl #braxton #anthonybraxton

Cabshaka, to latin

Side two of this one is my favourite Cal Tjader. @jazz

caravan, to vinylrecords
@caravan@heads.social avatar

If I could afford it I would only collect OG records, and while still mostly gravitate toward them, the reissues are done so well they are hard to pass up as gap fillers. Love this one. What a lineup and session. @vinylrecords

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