A droite, de la Rera Pan 400, aka Rollei RPX 400 rebadgée, au format 127.
A gauche, de la Foma Ortho 400, en format 120. L'avantage de la pellicule orthochromatique est qu'on peut l'exposer à la lumière inactinique du laboratoire, sans dommage.
Le but est de transformer le format 120 en format 127, plus petit. La bande de 120 fait 61 mm de large pour 830 mm de long contre 46mm de large pour 630 mm de long pour la 127.
Il me faut donc couper un bout de 200 mm que je pourrai utiliser dans un appareil 6x17, puis deux bandes de 7,5mm sur chaque côté. Et ce à la lumière rouge.
Dramatic
Spotmatic F + Rollei 100
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(In the late spring and early summer I unearthed a few old cameras and shot various B&W films with them. This week I'll be sharing results from those shoots.)
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The Spotmatic F was my first proper film camera, bought on ebay back in 2011 or so. When that roll of Rollei 100 came back from the lab I marveled at how great the images looked. It's probably due un part to the nice lens I've got tacked onto it, but it's also refreshing that after 10 years of not being used it still works like a charm. I took it with me in London to finish a roll of what was mostly family and friends portraits, and this image really struck me as a keeper. What do you think ?
Rollei Superpan 200 is a medium speed, monochrome film with panchromatic response and extended sensitivity into the near infrared, up to around 800 nanometers.
Rollei Superpan 200 Film Mini-Review (www.35mmc.com)
Rollei Superpan 200 is a medium speed, monochrome film with panchromatic response and extended sensitivity into the near infrared, up to around 800 nanometers.