Eine tolle Bestätigung der Arbeit der letzten Jahre ist der erste Preis für unseren DataScience-Studierenden Andreas Hofmann in der #IntelAIImpactChallenge, wo er mit seinem Projekt zur Vermeidung von Wildunfällen den ersten Platz in der Kategorie Deutschland gewonnen hat.
Magical realism and unrelenting dysphoria characterize this '90s time-travel sci-fi about a guy who tries to go back in time to help correct a massive pandemic that happened in the future. The attention to detail in this film is extraordinary. The writing, the acting, cinematography, the score, special effects, art design; everything in this film is so tight; very well done. Terry Gilliam deserves praise for his direction, for which he had great creative latitude during production. In fact it's so effective at creating a feeling of unease I think it requires a content warning for people who are under stress or who otherwise may be vulnerable to unsettling content. But there’s plenty of comedy for those who enjoy demented humor.
Brad Pitt had the most demanding role, I think, with lots of rapid dialogue playing an over-the-top delusional crazy guy. Bruce Willis, the main protagonist, also played a guy who is losing touch with reality. Madeleine Stowe, who plays a psychiatrist opposite Willis' character, is absolutely flawless. All the actors in this film did a very good job even in the minor rolls. I saw only one flawed bit performance in the whole film.
There were two societal phenomena happening when this film was produced in the 1990s – animal rights activism was at its height, and the Rodney King beating and subsequent riots had just occurred. Pitt’s character plays the leader of an eponymous underground animal rights group (Army of the Twelve Monkeys), which is apparently planning a horrendous act.
The film features a lot of black actors, which was unusual for films in the early 90s. I think filmmakers at the time were intentionally trying to correct for past racial bias in the film industry in the wake of the Rodney King beating. However, none of the black players in this film had major roles, only minor parts. None of the black players played any of the many scientists and doctors in the story, they played mostly cops, orderlies and such. I counted twelve credited black roles in the film, which I’m sure was a coincidence and the producers had no intent to denigrate. (ambiguous sarcasm)
The film presents overshadowing stereotypes of people who have mental illness, a trend that continues to this day in filmmaking. The single female protagonist is also stereotyped as a mostly weak and submissive character even though she plays a psychiatrist which should be an authority figure in this context. (In all fairness, her character evolves considerably.)
However, in spite of it’s gaffs on political correctness (which were common in the 1990s), I think it’s such a well made film that it’s well worth watching.
Accessible video description:
a man (Willis) in a hazmat suit in a winter environment stoops down near some equipment, a bear startles him and he panics. Cut to a closeup of the central arch in Fre Carnevale’s “The Ideal City” as a woman’s voice reads Edward FitzGerald’s Rubáiyát of Omar Khayyám, the camera slowly zooms out to show the full painting and an old white woman reading to a small group of people seated on folding chairs in Walters Art Museum, a subtitle says, “Baltimore April 1990”. A beeper goes off as a white brunette woman in a little black dress looks at her beeper message, stands up and fumbles as she awkwardly walks out. As she walks by a man wearing silver shoes, her shoes inexplicably turn from black to silver. Then Willis and Pitt are in a mental institution and a black man with a gray beard wearing formal attire talks about not being from outer space with goofy looks on his face. Cut to old black and white cartoons with crazy characters. Then a guard at a desk reads a newspaper with a man on stilts in the background changing lightbulbs in a hallway as Willis stumbles to an elevator, the guard tell him it’s not working, but the guard’s appearance subtly changes from one face to another, his newspaper’s headline says, “Bat Child Found in Cave” with a scary photo. then Willis and Stowe are in a car, Willis has sad expressions while Stowe has incredulous expressions. Fade to Pitt with long hair wearing dark clothes and a black stocking cap as he explains his theory of predictive neuro-analytics, he grabs his crotch in a funny gesture, tosses a globe to the floor and walks around the room making exaggerated gestures. then a small logo for the film appears and the camera slowly zooms in, it is red silhouettes of monkeys arranged in a circle with the title “Twelve Monkeys” over it.